In spite of its important publications, events, and initiatives over the past fifty years, Tunisia has never numbered among the world’s prolific comic producers. But did the country’s revolution mark the opening of a new chapter for the “ninth art” in Tunisia?
Malgré ses figures clés, la Tunisie ne compte pas parmi les plus grands producteurs mondiaux de bande dessinée. La révolution n’a-t-elle pas ouvert la possibilité d’ajouter un nouveau chapitre à l’histoire de la BD tunisienne ?
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