Art 14
Culture Vanessa Szakal 25 March 2018

The Barker at Bardo: an art exhibition with bigger bark than bite

March 18 marked three years since the attack at Tunisia’s Bardo National Museum. Among the centuries of history and art housed within the former palace of the Beys, the memory of the recent incident and its 23 victims still lingers. But today, the building is alive with school groups and visitors, locals and foreigners alike. From March 11 – April 12, 2018, Museum visitors will discover « The Barker at Bardo », a contemporary art exhibition by artist Faten Rouissi in partnership with the Agency for the Development of National Heritage and Cultural Promotion.

Environment Vanessa Szakal 20 November 2017

Zabaltuna: Bringing orientalist figures back to life in Tunisia’s dirtiest landscapes

A buxom young woman steps lightly from the water, carrying a jug at her hip and holding her sefsari above her head. Hooped earrings hanging down to her throat, bangles on her wrists, gold coins across her chest. She emerges, barefoot onto a muddy shore strewn with—red bottle caps, a packet of Camel blue cigarettes, empty plastic bottles. A fare 18th century maiden in a most unlikely environment. The scene is one of many diffused via Zabaltuna, a digital campaign that denounces Tunisia’s waste management problem, an increasingly noxious environmental and public health issue especially since 2011.

Culture Vanessa Szakal 22 September 2017

From graffiti to gallery: Stepping into the universe of Jawher Soudani

Moustached, tatoo-clad characters, toothy creatures with large heads and tiny wings, speech bubbles containing gangly Arabic script invade whatever empty space Jawher Soudani gets his hands on. Vacant walls and buildings in Sfax, Kef, Sousse, Hammamet, Beja, Djerba and Gabes—the artist’s birthplace—have provided an outdoor canvas for Soudani, more commonly known by passers-by as Va-Jo. This September marks a first: a solo exposition at Atelier Y in La Marsa, Tunis.

Culture Vanessa Szakal 17 September 2017

“Chouftouhonna”: feminist art festival takes over Tunisia’s National Theater

September 7-10, the International Feminist Art Festival of Tunis, Chouftouhonna, took place at the National Theater in the capital’s old neighborhood of Halfaouine. The former palace of Grand Vizier Khaznadar, rarely open to the public, was transformed for the event into a living museum: for four full days, every corner of the palace, its renovated theater, gallery rooms, courtyard, dim hallways and bright stairwells were occupied by art installations, performances, workshops and debates animated by women. Since the first edition in 2015, the festival has grown three-fold, drawing not only new participants, but artists and activists from near and far who affirm that they are in it for the long-run.

Culture Vanessa Szakal 12 January 2017

Reviving the Beys

Broad-faced, imposing Qsar Essaïd in Tunis was the palace Sadok Bey, one of Tunisia’s many rulers under the Ottoman Empire. It was here where Sadok Bey adopted Qanoun Eddawla, the country’s first constitution. Two decades later, he signed the Treaty of Bardo, marking the beginning of the French protectorate. Today, sixty years after independence and six years after the revolution, Qsar Essaïd has been opened to the public with “The Awakening of a Nation,” an exhibition on a period of Tunisia’s history (1837-1881) that modern regimes preferred to forget.

Economy Vanessa Szakal 06 October 2016

CREATISTES: the art of selling handmade

Launched on March 19, 2016, CREATISTES is a new online marketplace for all things handmade. Although it is not the country’s first virtual outlet for Tunisian arts and craft products, it is perhaps the first Tunisian version of the widely-popular Etsy (started in Brooklyn in 2005), Dawanda (Berlin, 2006), and Little Majlis (Dubai, 2012).

Culture Vanessa Szakal 22 July 2016

Status quo, or legal status for artists in Tunisia?

At roundtable events in the presence of EU funders and Tunisians who work in art and culture, the Ministry of Culture affirms that it has moved beyond words and is in the phase of action. With European Union’s recent designation of four million euros to the sector, the question remains whether or not such support will accompany the implementation of new policies, and specifically a framework ensuring the social and economic security of artists in Tunisia.