Recently, all we talk about is Jemna. It has become the new bone of contention. Exchanges are violent, charged with furor and raised voices. In the médias aux ordres, the most unlikely of arguments are used to denounce the occupation of land by peasants. Such arguments say more about the fantasies of their authors than they do about the reality of the situation.
Since the revolution, the number of civil society associations in Tunisia has more doubled, reaching some 19 thousand. In the context of establishing a “participative democracy” with citizens and civil society as principal actors (Article 139 of the new constitution), Decree-law 88 of September 2011 guaranteed the “freedom to create, belong to, and carry out activities through associations, and the strengthening of the role of civil society organizations, as well as their development and respect for their independence.”
“Give us the truth : where are the children?” On the rainy morning of November 9, a few dozen middle-age and elderly women and men occupy the stairs before closed doors of the Ministry of Social Affairs in Tunis. Grey sky and cold air accentuate the solemnity of the gathering, yet another demonstration by the families of Tunisians who disappeared while crossing the Mediterranean to the shores of Italy.
For its stopover in Tunisia, the Ibn Battuta Odyssey of Alternatives, a mobilization across the Mediterranean which culminates at the COP22 in Marrakech, set up camp in Gabes, although the boats had docked in Bizerte. Three days of exchanges and debates concerning an environmentally- and socially-destructive economic model and potential alternatives drew attention to the deplorable environmental situation in Gabes, and were marked by heightened tension following the death of a STEG worker who was asphyxiated by the fumes of the industrial zone. Report.
The political implications of Jemna’s social activism on State policies are still cloudy. Some State officials, such as Mehdi Ben Gharbia, have not shied away from praising Jemna’s experience on television, saying that it only needs a legal framework. Other officials however, including Prime Minister Youssef Chahed, are solely offering a Socratic answer regarding Jemna: “All I know is that I know nothing.”
On October 14, journalists and women’s association members put their heads and pens together to draft a Declaration of Principles on Media Coverage and Journalistic Practices concerning Violence against Women. The same day, Alaa Chebbi is denounced by activists for “violating press laws” and “normalizing violence against women and little girls […] just to make a buzz.”
Between October 3-4, more than 90 public officials and representatives in international trade, cooperation, and governance convened in Tunis for the MENA-OECD Forum and Ministerial Conference. Participating governments signed the Tunis Declaration affirming their continued commitment to policy reform for “inclusive growth” and integration into the global economy.
Launched on March 19, 2016, CREATISTES is a new online marketplace for all things handmade. Although it is not the country’s first virtual outlet for Tunisian arts and craft products, it is perhaps the first Tunisian version of the widely-popular Etsy (started in Brooklyn in 2005), Dawanda (Berlin, 2006), and Little Majlis (Dubai, 2012).
The Association for the Protection of Jemna’s Oasis remains, since its creation in 2011, illegitimate in the eyes of the State. This month, the Ministry of State Properties and Land Affairs, which leased the land to private operators before 2011, issued a statement threatening to cancel the call for tenders. Jemna’s residents, however, are resisting the government’s sudden intervention.
As students headed back to school on Thursday the 15th, a looming question hung over the heads of many: what will become of the proposed education reforms this academic year? So far one major project, “The School Regains Her Children,” appears to be making progress. On September 8th, an initiative subsidized by UNICEF Tunisia and The Italian cooperation was signed by Minister of Education, Néji Jaloul.
September 6-10, the Human Screen Festival dedicated its fourth edition to themes relating to women’s rights and art as resistance to the traumas of war and terrorism. Organized by the non-profit organization ACTIF, the festival’s most remarkable aspect is its manifestation before a more unconventional audience: prison inmates.
The International Comics Festival of Tazarka incarnates the adage dynamite comes in small packages. For the past twenty years, the small seaside town of Tazarka has hosted Tunisia’s oldest comics festival. August 20-28, artists, children, and the members of the Association Mahmoud Messadi for Creation animated the workshops, discussions, and kite-flying of this year’s event.
In spite of its important publications, events, and initiatives over the past fifty years, Tunisia has never numbered among the world’s prolific comic producers. But did the country’s revolution mark the opening of a new chapter for the “ninth art” in Tunisia?
Under the slogan “a festival for all,” Ezzahra Festival management, including Sadok Ben Mhenni, had organized a concert performed by prisoners. Scheduled for Friday, August 5, the event, which would have been the first of its kind, was canceled by the Interior Ministry for security reasons. Recap of an all but forgotten struggle.
With a distinctively global, historical view of revolutionary and democratic processes, two recent collections of essays by Sada-Carnegie and POMEPS indicate that it is yet early to draw conclusions about the successes and failures of Arab uprisings. For Tunisia, these reflections are particularly resonant as the country’s leadership decides the constituents of a new “unity government” proposed by President Essebsi in June.
For one full week, Kelibia’s youth center and its environs were the setting for back-to-back film screenings, discussions, workshops, and musical performances. On Saturday, August 13, the 31st International Amateur Film Festival of Kelibia (FIFAK) came to a close.
While opposition parties have denounced the appointment of Youssef Chahed as partial and contrary to the idea of a coalition government, some decry the designation as a relapse to the old “all in the family” way of politics. Few, however, have paid much attention to Chahed’s singular professional trajectory prior to his swift ascension to Prime Minister.
For its 52nd annual production, the Carthage International Festival diverged from its regular programming and held an “Urban Session” at L’Agora in La Marsa. In a country where the freedom of speech and self-expression was suppressed for so long, Urban Session’s performances were not lacking subversive undertones. However, the social acceptability of hip hop and urban art by the general public is far from being considered “mainstream”. One swallow doesn’t make a summer.
